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un deux trois quatre

by namu 3

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un-1 punktus 00:38
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un-4 scherzo 04:23
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about

QUOTE from "setola di maiale"
From their own, effective, presentation, we read an interesting critique of their work by Jazz Podium (DE): ”A musical amalgam whose presence is quite simply without parallel in the musical sphere, an improvised sonic landscape that adjusts our perception of collective improvisation in a new way."
And still: "Namu3 describes their real time creation process as 'action painting in sound', a perpetually evolving landscape integrating a hugely diverse baggage from contemporary classical music through non-Western ritual traditions, Dada and noise metal. Their ground-breaking new album Un Deux Trois Quatre, recorded during a feverish series of concert dates in 2018, sees their level of telepathy rise to new heights of barbarism and subtlety. Their acoustic death noisescapes are an expanding universe of vast forms and warm, barbaric, absurd expression, adrift in the eery wastes of deep space."

QUOTE from namu 3
Namu3 offers a direct experience of "action painting in sound", our evolving real time creation process. Seated in a circle in the midst of our listeners, we work in varied settings. With saxophonist Anna-Lena Schnabel at the legendary Bunker Ulmenwall, with new dance or with historic mechanical looms in a 16th century museum, Namu3 is joyous, contagious, violent, tender, enigmatic. A bientôt !

credits

released April 10, 2019

MUSIC
steve gibbs - 8 string prepared guitar, voice
joachim raffel - percussion, objects, voice
willem schulz - cello, voice

RECORD/MASTER
Benoit Ganoote (Brussels/Lille 2018)

GRAPHIC
Giustappunto

EXECUTIVE PRODUCTION
Stefano Giust

PRODUCED BY
Sounding Arts Collective

LABEL
setola di maiale - musiche non convenzionali
(Label of independent musicans dedicated to research in experimental and improvised music since 1993
SM3870

2019

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Willem Schulz Melle, Germany

Geb.1950 Hamburg, am Cello aufgewachsen. Beeindruckt von Fluxus und Happening, experimentiert er neben seinem Musikstudium in Detmold mit der Frage, was denn Musik sei und was nicht. Spartenübergreifende Aktionskunst interessiert ihn ebenso wie die Einsetzbarkeit allen akustischen Materials in der Musik. In der Freien Improvisation erkennt er die kommunikative Bedeutung musikalischer Prozesse. ... more

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